Review: “Jingle Jangle” by Jacob King

Jacob King’s “Jingle Jangle” is an interesting blend of genres. While lumped into the ever-growing, enigmatic realm of “alternative rock,” its contents lean more toward experimental than anything defined. 

The album features “jingling” percussion throughout. This, paired with heavy indie-style percussion and synthesizer experimentation, makes the album interesting, if not a little bloated at points.

Tracks “Fortune Cookie Fortune,” “Meet Me Outside,” and “Hills” are where this album shines. With interesting vocals, fantastic drum tones, and more-focused production, these songs are “Jingle Jangle” at its best.

The experimentation pieces are where this album can feel a bit bloated. “Killer Hornets” and “The Digital Calamity, II” don’t feel as if they really have a purpose. Of course, one could argue the point of experimentation is it doesn’t need to serve a purpose but rather creates one itself.

Still, after the masterpiece that is “Tango,” it’s hard to revisit these tracks. “Tango” is a wonderful mix of soft synthesizers that sounds purposeful, creates a powerful melodic wall of sound, and better fits the tone of the album. 

The production on “Jingle Jangle” as a whole is top-notch. It has the classic heavy-compression style that makes each tone shine through the mix. The drum tones are tight and mixed flawlessly. The guitar solos are perfectly timed and show impressive technique. Vocals are not the centerpiece of this album but are welcome when they appear.

“Jingle Jangle” is a well-executed slicing of genres. It manages to stay true to itself while still deviating and trying new things. There is, perhaps, an unnecessary track or two, but that doesn’t pull this album down.